married.indian.woman

Oil on Canvas 240 mm X 300 mm Framed with non-reflective glass

Painting Description
Painting Reviews (16)

title spells the hierarchy of exploitation in descending order

Besides the Reviews appreciation also comes from:

Lilian Lekics, Hungary; Nanette O’ Neill, Ireland; Marta, Italy, JocelynCavilli, USA; Harmony Cruz, Mexico; Eugene, France; Ron Roy, USA; Myra Hills, Canada; Karina, UK; Ally, USA; Jenny Stokes Beasdale, France; Bahadirkaan, Turkey; P Kamat, India; Anita Dunkl, Austria; Suada Camo, Bosnia and Herzegovina; Meral, Turkey; David Sant, Malta; Fiona, USA; Yasmin, Jordan; Pierre, Canada; Frederick, New Zealand; Simyona Deanova, USA; Nikki, Canada; Nikom, Thailand; Marianna, Canada; Jana, Czech Republic; Penny, USA; Jenny Fox, UK; Bethany, USA; Gloria, USA; Sara, Italy; Stoya, Czech Republic; Cary, Belgium; Kenny, USA; Deia Al Ruzaiqi, Oman; Amo, Canada; Sasha, Poland; Mari, Finland; Toby Jo, UK; Systina, Greece; Eko Syaiful, Indonesia; Georges, Belgium; Das Roy, India; Valentina, Poland; Enola, Iceland

Tags: art, oil painting, oil painting on canvas, traditional painting, symbolic painting, message in painting, realistic painting, narrative in painting, subtext to painting, contemporary painting, topical painting, social painting, political painting, painting makes a statement, message in painting, critique of domesticity in painting, woman in painting, hut in painting, house in painting, sewing machine in painting, light-and-shadow in painting